It was one of the rules which, above all others, made Doctor Franklin the most amiable of men in society, "never to contradict anybody." If he was urged to announce an opinion, he did it rather by asking questions, as if for information, or by suggesting doubts.Thomas Jefferson, letter to Thomas Jefferson Randolph (Jefferson's grandson), November 24, 1808.
Unless Plato had already written some short dialogues to illustrate Socrates' technique of questioning (like the Euthyphro), the Apology of Socrates is the earliest thing by him that we have. This would mean that it is the oldest extant document of Greek philosophy -- everything earlier (e.g. Parmenides) was lost and is known only through quoted fragments in later works, like those of Plato himself. There is something fitting in this. Socrates substantially refounded philosophy, and the Apology is still, all by itself, about the best introduction to Western philosophy that there is.
At the trial for his life in 399 BC, Socrates astonished his listeners by appearing, despite his vigorous defense, to deliberately get himself found guilty and condemned to death. What he had said was then a matter of some curiosity, but there were no Greek court reporters, and of course no audio or video tape, so there was no official record, or news recording, of the trial. If Socrates' words were going to be remembered, the spectators were going to have to record them. This is what happened, and various versions of the Apology of Socrates were produced. Only two survive, Plato's and one by Xenophon.
A friend of Socrates, Xenophon also produced the valuable Recollections of Socrates (or Memorabilia). Unfortunately, Xenophon was not a philosopher, did not, I expect, understand Socrates very well, also, as he admits, was not at the trial, and did not try to reproduce the whole speech. Plato has his own presence at the trial affirmed by Socrates himself, who mentions Plato by name twice in Plato's Apology. Xenophon's Apology thus is an abbreviated and disappointing document next to Plato's, but it does tell us a couple of things that we might not know otherwise. These will be noted at the appropriate points in the course of Socrates' speech.
Now, although the word "apology" is the direct descendant into English of the Greek word apología, the meaning has changed. Socrates was not apologizing or making excuses. He wasn't sorry. The Greek word apología simply and precisely meant a defense, or a defense speech. This meaning has been preserved in English in some related words: An "apologist" is still someone who argues a defense of someone or something, and "apologetics" is still a discipline or system of argued defense of something, usually a doctrine, cause, or institution. Socrates' speech thus might be translated The Defense of Socrates without the possible confusion over the modern meaning; but after long usage, it is hard to imagine calling the Apology anything else.
Part of the tradition of the Apology is that it is the first complete text read in the formal study of Classical Greek. This was not the case with me, since my Greek professor at UCLA in 1968 decided that we should break with tradition and read the Euthyphro and Crito instead. I'm not sure that was an improvement on tradition -- more like variety for the sake of variety -- though that meant variety for the professor rather than for us students.
Although Socrates is on trial for his life, his prosecutors (Meletus, Anytus, and Lycon) are private individuals. There is no public prosecutor at Athens, no District Attorney. All actions are brought by private individuals, although they themselves might be politically prominent, or officials. If there is a murder, and basically no one cares about the victim, there might be no prosecution -- though the city did take an interest in murder cases, because of the pollution, and from an early date the Council of the Areopagus, the ancient senate of the aristocracy, undertook to protect the state from vengeful spirits. It is also noteworthy in the Apology that Socrates never mentions a judge. All his remarks are addressed to the jury, and from the evidence of this text alone, we might not know whether there was a judge or not. We do know, however, even from the Euthyphro, that Socrates is in the court of one of the major officials of Athens, the "King Archon."
There were nine archons (árkhon = ruler, regent, commander) in the classic constitution at Athens. Six were judges, the Thesmothetae. The other three were the Eponymous Archon, after whom the year was named (Athenian dates were in the form "the year so-and-so was Archon"), the Polemarch, who was the commander-in-chief, and the King, who succeeded to the religious duties of the original Kings of Athens. One of these duties was to preside over court cases involving religion. That included murders, which involved the pollution of spilled blood, and accusations of impiety. That is why Socrates was in the King's court. He was accused of impiety.
The King Archon, the judge, is not mentioned by Socrates because he has almost no power. Most of the power in the courtroom is in the hands of the jury, which is said to be 501 jurors. There is no screening of jurors. The jury is pretty much any free adult male citizen who shows up. The comedy The Wasps by Aristophanes is about an old man who amuses himself by getting on a jury every day, and by voting everyone guilty. The jury has all but absolute power. At the same time, there was not much in the way of rules of evidence. The prosecution and defense could say pretty much whatever they wanted. Thus, ironically, Socrates, who in a sense was put to death for practicing free speech, nevertheless had more freedom of speech at his trial than most defendants do in the courts of the United States of America, where judges can prohibit defendants from making certain kinds of defenses (e.g. that the law under which they are charged is unjust or unconstitutional). All Socrates had to worry about was how to appeal to the jury, but he then made his defense in such a way as to antagonize the jury instead.
The procedure of the trial is that the prosecutor or prosecutors make their speeches, accusing the defendant, then the defendant makes his defense speech. This is where the Apology begins, as we can tell, since Socrates initially comments on what he has just heard from his prosecutors. After the defense, the jury votes innocent or guilty. Only a bare majority is needed, though, as Socrates mentions, the prosecution is fined if it does not get a fifth of the vote. In this case, Socrates is barely (by 30 votes) found guilty. Then we get what today is called the "penalty phase of the trial." The prosecution proposes a punishment it thinks is fitting, in this case death. Then Socrates proposes a counter-penalty. The jury again votes to pick which penalty to impose. Socrates is condemned to death. The final part of the Apology, then, is what Socrates has to say after that vote, after he knows that he is sentenced to die.
Greek words here are rendered with their accents, but êtas and ômegas, i.e. long e's and o's, are shown with a circumflex, just to indicate length, unless they otherwise have an acute or grave accent, which is then shown instead. Greek accents indicated tones, just like in Chinese, except that a polysyllabic Greek word usually only has one tone. Acute accents were rising tones, grave falling, and circumflexes rising and falling. Iota subscripts are not, regretfully, indicated.
This is largely written up from lectures given on the Apology between 1987 and 1999, using the G.M.A. Grube translation, in different editions [Plato, Five Dialogues, Euthyphro, Apology, Crito, Meno, Phaedo, Hackett Publishing Company, 1981, pp. 24-44]. Some comment and complaint will be made below about the translation, but it does seem to me overall a fine rendering. Although it may be possible to read this commentary independent of the Apology itself, it would probably be better to have read the text first.
The connection was that the Greeks came to think of human virtue or excellence as political, since the life of the Greek city (pólis) seemed about the most noble activity for human participation -- a formula that excluded women from human excellence, since women were largely excluded from politics. Politics in a democratic city like Athens meant participation in the Assembly (Ekklêsía, the origin, from a later Christian context, of the word "church"), which consisted of all the free, adult, male citizens of the city. In turn, participation would mean, not just showing up and voting, but actually rising to speak and to propose actions. To speak well, one needs training in rhetoric, and to propose actions persuasively, one needs training in persuasion. The Sophists (Sophistaí, whose name simply meant "master of one's craft," or someone who knows something), became the teachers, the travelling paid teachers, of these skills. However, this began to get them a certain reputation. In teaching persuasion, what exactly is to be subject of persuasion? Well, it must be anything, or anything that someone is going to pay to learn to be persuasive about. This gave the Sophists a reputation of opportunism and lack of principles. They would teach you how to prove anything. Of course, not just anything can be proven. It is going to take dishonest and deceptive arguments to be persuasive about a lot of things. Today, a deceptive and fallacious turn of argument can be called a sophism, the constant practice of such is sophistry, and someone engaged in such practice is a sophist. What the Sophists did thus gives us the modern meanings for what they were called. Otherwise, the original meaning of sophistés is preserved in a word like "sophisticated," which implies knowledge, either the worldly knowledge of an individual or the complex adaptation of advanced knowledge to objects.
So to teach persuasion, the Sophists would "make the worse argument the stronger." But, whatever the quality of his own arguments, Socrates was not a paid teacher, did not teach persuasion, and in fact did not teach anything, except indirectly. All he did was ask questions. Thus, the terms of the reputation that Socrates has, although applicable to many Greek philosophers -- though not really all to one at the same time -- has nothing to do with him whatsoever.
Greek comedies are really extraordinary artifacts. Topical and political, but also bawdy and scatological, the only modern equivalent would be a truly X-rated version of Saturday Night Live -- actors playing male parts (no women on stage) were easily identifiable because they wore large stuffed phalluses. Eleven such plays by Aristophanes (died c.388) have survived. One of those, Lysistrata (c.413), even became a footnote to the history of Los Angeles. Lysistrata was an anti-war play, expressing Aristophanes' frustration and unhappiness with the interminable Peloponnesian War (431-404) between Athens and Sparta. His approach, however, was to have the women of Athens go on a sex strike until the men ended the war. The comic possibilities of this are not hard to imagine. Since World War I had left many Americans feeling frustrated, unhappy, and disillusioned with its outcome, there was a fair amount of anti-war sentiment in the 20's, and some producers in Los Angeles decided to capitalize on that by staging Lysistrata. Unfortunately, the sentiment of the times, however pacifist, was not up to the level of bawdiness in the play: It was shut down as obscene by the police. A probably apocryphal story about the raid has the captain of the Vice Squad demanding to know who had written such "smut." He was told the name of the author, but of course had never heard of the man, and had no idea that Aristophanes was somewhat outside the jurisdiction of the Los Angeles Police Department. But, thinking about the name, he suddenly realized he knew who it was: "Harry Stophanes!" So a very perplexed Harry may have ended up in jail that night.
The play in question by Aristophanes was the The Clouds (423, rewritten 418), whose name comes from Socrates being shown floating up in the clouds -- like all philosophers. Everything that Aristophanes wanted to ridicule about the Presocratics and the Sophists he attributed to the man who was already the most famous philosopher at Athens, Socrates. This may, at the time, have all been in good fun. The story is that the mask of the actor playing Socrates,who was legendarily ugly, was so good a caricature that Socrates himself stood up in the audience so that it could be compared to him. This makes it sound like Socrates was willing to take the joke. Exactly how much in fun Aristophanes intended it all is a good question. He certainly didn't like what the Presocratics and Sophists represented, but he hardly seems like one to blame Socrates for losing the war with Sparta (by undermining Athenians virtues), since Aristophanes never liked the war anyway. Aristophanes was, in his own way, deeply conservative, and he disapproved of most new-fangled things, like Euripides' plays. Socrates would not be immune to that disapproval. In Plato's Symposium, a drinking party where Socrates and Aristophanes are both present, they seem friendly enough. By the time of Socrates' trial, twenty-four years had passed since the first performance of the play, and, as Socrates says, some people have grown up knowing Socrates more from the play than from life. Aristophanes was still alive in 399; and if he was really friendly to Socrates, then Socrates might have brought him in as a witness. But then that would have required planning a defense, and this is what Socrates didn't do. If Aristophanes had been worried about him, he might have come in on his own. So it is hard not to suspect that Aristophanes was not close to Socrates and was, at the very least, cool. But we will never know the whole story.
Ironically, the artistic misrepresentation of Socrates continues today, when a largely unrecognizable Socrates turns up the popular movie, Bill & Ted's Excellent Adventure (1989). Like his accusers, Excellent Adventure presents a Socrates talking the kind of "nonsense" that must sound vaguely "philosophical" but which has nothing to do with Socrates' interests, activities, or even personality. The movie even has Socrates anticipating the title line of the long-running NBC soap opera, "Days of Our Lives." This is pretty funny, but the real Socrates still, two thousand years later, just can't get a break.
The 1st Olympiad was traditionally supposed to have occurred in 776 BC. Greeks historians later used the four-year period of the Olympiad as a unit of historical time, though this was never used to date either private or official transactions in ordinary life. 2001 would be the 1st year of the 695th Olympiad. The Games were held to celebrate the god Zeus, in his cult center at Olympia; and consequently were ended by the Christian Emperor Theodosius I, who made it his business to close pagan temples, in 394 AD (the 2nd year of the 293rd Olympiad) [note]. The "Modern" Olympics were first held in 1896, at Athens, and not, to my knowledge, in honor of Zeus. 1896 would have been the 4th year of the 668th Olympiad, so the modern games are actually held a year earlier than the ancient games would have been, had they continued down to the present (the modern games are, in effect, held in year zero of the Oympiad, instead of year one). Although the Olympic Games today are criticized for being excessively nationalistic and commercialized, the Greek Olympics were, given the differences of the times, not all that different. Competition between the Greek cities was intense, and an Olympic victor could expect a hero's welcome at home, receive a pension or other privileges, mentioned by Socrates in the Apology itself at 36d, or have some landmark named after him, like the grove and gymnasium of Akadêmos, later chosen by Plato as the site for his school, the Academy (Akadémeia). On the other hand, Aristotle divided men into three kinds -- those who go to participate at the Olympics, those who go as spectators, and those who go to sell things. Hippias would fall into the third group.Nothing but the foundations of the temple of Zeus at Olympia are left. Within the temple was one of the Seven Wonders of the World, the great statue of Zeus by the sculptor Phideas, who had just finished decorating the Parthenon in Athens. The statue was moved to Constantinople, where it was later destroyed in an accidental fire. Nevertheless, Phideas' portrayal of Zeus may have influenced images of God in the art of Christian Constantinople. The stadium that survives at Olympia is still the place where the Olympic Torch is lit for every modern Olympic Games -- from Olympia carried all the way to Ventura Blvd. for the 1984 Games in Los Angeles.
Apollo. From now on, when Socrates refers to "the god," it is much more obvious who he is talking about. While Apollo, the son the Zeus and Leto, was not mythologically more important than most of the other Olympians, his shrine at Delphi came to be considered the second most sacred place, after Olympia, in all of Greece. It was even considered the center, the "navel," of the world. The importance of Delphi, however, was mainly because of the Oracle -- a priestess, the Pythía, who sat in an inner room (the ádyton), breathed fumes coming up through the floor (fumes from gas dissolved in spring water, in geologically active Greece, or from incense burning beneath), entered a trance, and was possessed by the god Apollo. For a suitable donation, a question could be put to the Pythia and an answer obtained from Apollo. Since the words of the Pythia were hard to understand, the priests attending her wrote up the answer in verse and delivered it to the petitioner. The answers were legendarily obscure or ambiguous -- the source of the modern of meaning of "oracular," which is precisely to be obscure or ambiguous.
One example of the kinds of answers Delphi gave occcurred when King Croesus of Lydia, of legendary wealth, sought advice on the attack against Persia he was contemplating. Cyrus the Great had just overthrown the Medes, in 550, and Croesus figured that this must reveal the weakness of the Median state, and that, in any case, Cyrus' new realm was bound to be disorganized for a while, giving the Lydians an opportunity to renew the war that had ended in 585. But he was a cautious ruler, and sent a question to Delphi, asking what would happen if he attacked the Persians. This is a revealing episode, since Croesus wasn't even a Greek. Delphi already had such a reputation. The answer that the Pythia delivered was that if Croesus attacked Cyrus, "a great kingdom will fall." Croesus thought this sounded good, so he attacked Cyrus. He had no idea who he was dealing with, and was defeated very swiftly indeed. Lydia became part of Persia in 547. But Cyrus didn't kill, torture, or imprison Croesus. The former king was sent home to live in retirement, where he had the leisure to write back to Delphi and complain that he had been misled. The priests answered his letter, telling him that what they had said was perfectly accurate. A great kingdom had indeed fallen, namely his. Croesus might have worried which kingdom the god had referred to.Another example came when the Persians invaded Greece in 480. King Xerxes wished to avenge the defeat of his father, Darius, at the battle of Marathon in 490.
I had a student once who worked at the "Phidippides Sports Center," a sports supply store in Encino, California. This was named after the messenger who is supposed to have run back to Athens to report the defeat of the Persians. Unfortunately, Phidippides dropped dead once he had blurted out, "Victory is ours." The first Marathon as an Olympic event was in 1896, at Athens, when French philologist Marcel Bréal offered a trophy for the winner of a reenactment. I would like to know why Bréal thought this would make a good event for the modern Olympics, or why anyone would want to buy supplies from a store named after a guy who died doing his run! The distance of a Marathon run is 26.22 miles (42.2 kilometers). As it happens, the distance from Marathon to Athens is more like 19 miles (30 km). We get the difference because the distance for the event was determined in 1908, when the Olympics were in London, and the run was from Windsor Castle to London's Olympic Stadium. So Phidippides didn't run nearly as far as a Marathon. Indeed, Phidippides may not have done the run at all. He (or "Philippides") is mentioned by Herodotus as running to Sparta from Athens before the battle (to ask for help), but there is no account of the run from Marathon for many centuries. And when Plutarch relates the story, he doesn't mention Phidippides.Xerxes' invasion would be a much more serious affair than Darius' amphibious landing, with a very large fleet and an army so huge that it could not even be carried by the ships. The army would have to march overland, cross over into Europe, and come down the peninsula into Greece. The Greeks, although forming a unified defensive league, hardly knew how they could resist this. Consequently, the city of Athens itself sent a question to Delphi, simply asking what to do. The god replied, "You shall find safety behind walls of wood." Some people thought this meant the Acropolis (the "high city"), the citadel of Athens. Others fled the city. Unfortunately, after the Persians had flanked and eliminated the Spartans at Thermopylae ("Hot gates," i.e. a pass with hot springs), killing King Leonidas of Sparta himself, they rolled all but unmolested into Athens, where the wooden walls of the Acropolis were simply set on fire, and all the defenders killed. Wrong interpretation. Athens, however, had just built a new fleet, under the command of Themistocles.
He figured that the "walls of wood" meant the ships and that he should try and bring the Persians to action. He drew them into an attack in the narrow waters between the island of Salamis and the mainland. Here the large Persian fleet could not deploy to advantage, and the Athenians started getting the better of the fight. Since most of the Persian fleet consisted of Phoenicians and Egyptians, who didn't want to be there anyway, they began to flee. Xerxes was apoplectic. Now, without a dangerous and humiliating march overland, his army was stranded in Greece, short of supplies. The Greeks allowed for the attrition of a whole year, and then the Spartans attacked and destroyed the remaining Persian force at Plataea, in 379. Themistocles had interpreted the Oracle correctly. This was the last Persian effort to invade Greece. Despite the leadership of the Spartans, the key to victory had been in the Athenian fleet. This made the fortunes of Athens for some time. 2183 years later, as Napoleon prepared to invade Britain across the English channel, a political cartoon has John Bull, who represents England, say to Napoleon, "where I sit is my own little land in the ocean -- and if you attempt to stir a foot -- there's a few of my wooden walls in the offing shall give you a Pretty Peppering." At Trafalgar, 21 October 1805, Horatio Nelson then destroyed the combined French and Spanish fleet.
Some scholarly comment has been that Athens became disillusioned with Delphi because it had favored Sparta in the Peloponnesian War, patronizing instead another oracle of Apollo at Delos. So when Socrates mentions Delphi, this actually adds to the things that are provoking the jury. However, Xenophon, who discusses at length in the Memorabilia the complaints that people had against Socrates, does not mention this one.
The fact that the Pythia's words were unintelligible and had to be translated by priests would lead most people to imagine that she was just babbling and that the priests made up the answers themselves. However, this kind of thing is quite familiar in shamanistic practices all around the world. For instance in Martin Scorsese's film about the Dalai Lama, Kundun (1997), we see a Tibetan shaman making statements while in a state of possession. These must be interpreted for the young Dalai Lama by the shaman's attendants. However, later in the movie, he starts becoming able to interpret what the shaman says himself. This will probably not stop people from considering the whole business to be nonsense, but the accusation that these performances are deliberately fraudulent, i.e. the inventions of cynical and manipulative priests, is probably not true.
The room of the Pythia, the Ádyton ("not to be entered," seen at right in "The Priestess of Delphi" by John Collier [1850-1934]), has been as mysterious in modern investigation as in ancient. When the temple of Apollo was excavated in 1913, the archaeologists did not think they had found any trace of the Ádyton or any crack for fumes to come up through. This has led generations of writers to dismiss the details of the Delphi cult as fictitious. Well, the room could have been in a secret location -- still secret -- or it was destroyed by the priests of Apollo when the temple was shut down, under the Emperor Theodosius I in 392. Many sanctuaries of temples were destroyed by their own devoted priests, lest they be desecrated by Christians. If still secret, one might imagine Indiana Jones finding the Pythia still there. On the other hand, the 1913 archaeologists were not able to get down to the bedrock below the temple because their excavation kept filling up with water. This is suggestive of itself, since the temple was supposed to have been built over a spring, and the fumes breathed by the Pythia were supposed to come out of the water. And there have been recent developments. When a geologist, Jelle Zeilinga de Boer (a Dutchman who grew up in Indonesia and now teaches at Wesleyan University), examined the Delphi area, he identified a fault running right under the temple. In 1995, when De Boer told John Hale, an archaeologist at the University of Louisville, this led to a more careful investigation at Delphi. In 1996 it was confirmed that there was such a fault, now the Delphi Fault, and there was an intersecting fault, now the Kerna Fault. These two faults crossed each other just about right where the Temple of Apollo was built. All along the Kerna Fault were natural springs, and the kind of rock nearby, and from the which temple itself was built, was travertine, which is formed from limestone interacting with gasses from geologically active waters. When they tested the stone, it had been infused with methane (CH4) and ethane (C2H6), which could have produced some of the poisonous effects recounted -- some Pythias died from breathings the fumes. When they tested the spring water, they discovered not only ethane but, more importantly, ethylene (C2H4). Ethylene, which would have broken down and not been preserved in the rock, is actually an anaesthetic, which in smaller doses can also produce euphoria and excitation. It also has a sweet smell, as actually reported by Plutarch, who was a priest at Delphi. New examinations of the temple revealed pipes underneath, apparently unnoticed in 1913, that would have brought spring water under a small alcove to one side of a sunken room in the naós, the holy of holies, of the temple. This appears to be the Ádyton itself. So now we may well have the actual place and mechanism of the Pythia's dangerous intoxication. The "crack" may have just been the joints between the rocks of the chamber, through which the gasses could accumulate in the space. The present temple was built after an earthquake in 373 BC rocked the area and destroyed the original temple. The new arrangements, apparently, were not as good as previously, perhaps because the flow of gas in the water had changed, a familiar effect in such springs in geologically active areas (like Yellowstone).
The nature of this answer may in part be due to Chairephon using a cut-rate version of the Pythia's services, where the response would only be "yes" or "no." However, this thesis is complicated by Xenophon's version of the Pythia's response (Xenophon's Apology 14), which was that "no man was more free than I, or more just, or more prudent (sôphronésteros)." This response hardly answers a yes or no question, it doesn't even mention wisdom (sophía), and Socrates is quoted as actually naming Apollo. While this confirms that Socrates mentioned the Delphic answer in his speech, we may suspect from the other features that it owes more to Xenophon's imagination than to a reliable account, especially when Xenophon does not use it to explain Socrates' investigation, but instead merely as an example of the pious consulting oracles, in defense of Socrates' piety.
21a. "...the Pythian..." Although the text says the Pythía, the translator has added an "n" to the name, perhaps because the Greek word itself is from an adjective (though maybe not -- it has an anomalous accent). The games associated with Delphi were the "Pythian Games." "Pýthios" was an epithet of Apollo, perhaps from an old place name, but also because he had slain in that place the Pýthôn, a great snake. The shamaness Pythia, indeed, may well be older than the god, Apollo, who comes to be associated with her.
Cerebus turns up in some episodes of the Hercules, the Legendary Journeys television series. However, Hercules and its spin-off companion, Xena, Warrior Princess, although using many names and incidents from Greek mythology, cannot be relied upon as a guide to that mythology, or to anything else. In the original Hercules episodes, which were not weekly and had enough of a budget to hire Anthony Quinn to play Zeus, they have Hercules (Hêraklês in Greek) living with his wife Deianeira and their children. When the series went weekly, they eliminated the wife and children with a fireball from Hera. Well, Hercules did lose a wife and children, but he killed them himself. He had been driven mad by Hera, of course, but he was still considered guilty enough that his Twelve Labors were performed in penance. Now, in the age of O.J., Hercules killing his wife and children certainly could not be shown on television as the acts of the protagonist. Another curious aspect to this, however, is that Deianeira was not the wife who was killed in the mythological version. Megara was the victim of Hercules' madness. Deianeira was his second wife, and she ended up killing him, with a potion she just thought would ensure his fidelity. Hercules then was granted immortality by the gods and married the goddess Hebe. Just how lame the material of the television series can get is indicated by their constant references to "dinars" as the money in circulation -- even though dînâr is the Arabic pronuncation of the Latin denarius, all coins from eras long after Greek mythology, or even Greek Golden Age history.
This seems to be an occupational characteristic today of actors, who often are not reluctant to use their public presence to endorse politicians or promote their favorite causes. They can hardly be blamed for this, since they see their causes as good, and they have a perfect right, to the extent that we have a free country, to express their opinions. There is nothing about being an actor, however, that is going to give them any insight into politics or the good better than most other people. Indeed, the egotism and flattery that inevitably go with the acting profession might be thought to be more of a corrupting influence than otherwise, in which case their opinions might be treated with more than ordinary scepticism. In that respect, we might recall the Greek word for "actor." The word actor is Latin, from a verb that we still use, act (ago/agere in Latin itself). The Greek word is hypokrités, which originally meant "interpreter." Of course now it has become "hypocrite" in English. A hypocrite is a kind of actor, pretending to be something that he isn't. Ironically, the best actor and hypocrite among recent politicians is the Hollywood want-to-be Bill Clinton, while the actual professional actor who became President, Ronald Reagan, was often ridiculed as a second-rate actor, who nevertheless exuded complete sincerity in his politics -- his enemies thought he was stupid, not insincere.
This is the point to discuss this problem, since Socrates will mention these young men shortly (23c), but he doesn't do a very good job of explaining why people are angry about them. They are the principal reason why Socrates is in trouble. They did bad things, and what they did damaged Socrates' reputation. He was thought to be their teacher. As Socrates later makes fairly clear (33b), his business was not to teach anyone anything. He did his questioning in public, and if anyone wanted to hang out and watch what he did, it was not his business to drive them away. Some young men, like Plato himself, had some notion of what Socrates was about, and that it was not just a game. Others, however, could take from Socrates what amused them and forget the rest. Then they would commit crimes, and people would ask, "How did he get to be like that?" Socrates must have "taught" him to commit those crimes.
Just about the most spectacular example of one of these young men was the celebrated Alcibiades (c.450-404). He was born to privilege; and after his father died in battle (447/6), he was raised by his famous uncle, the great leader of Athens, Pericles. He hung out with Socrates. Plato wrote an entire dialogue featuring him (the Alcibiades), which begins with Socrates homoerotically admiring the first blush of beard on his face. In the Symposium, however, Plato has Alcibiades stumbling into the party, drunk, telling a story of how he had gotten Socrates to sleep over once, trying to seduce him, only to have Socrates pay him no more sexual attention "than an elder brother" (212d-219d). Alcibiades would have come of age in about 429 but first came to political notice in about 420. At that point the war with Sparta appeared to be over. The "Ten Years" or "Archidamian" War, 431-421, had ended in the aftermath of the Athenians trapping and capturing a force of Spartans on the island of Sphacteria, near the Homeric city of Pylos, in 425. This was sensational, since the Spartans were always expected to fight to the death, as they had against the Persians at Thermopylae. The Peace however, was compromised by continued fighting, often because of plans by Alcibiades himself to organize opposition to Sparta. The supreme opportunity came in 416, when Greek cities in Sicily appealed to Athens for help against Syracuse, the largest Greek city there, which was also an ally of Sparta. Alcibiades got himself elected general to lead an expedition against Syracuse, which would materially damage the Sparta cause and win the thanks of the other Sicilian Greeks (often called "Siciliots"). The older leader Nicias was also elected general to look after Alcibiades, since he already had a certain wild reputation...In 415, the night before the expedition was supposed to leave for Sicily, someone went around and mutilated statues of the god Hermes that stood all over Athens. Hermês was the protector of, among other things, traffic, markets, and roads. His image was used in such locations, often at intersections, and to mark boundaries. Thus, there were a lot of these images. An individual statue is now called a "Herm"; and in the plural, the Latin form is used, "Hermae." The incident is called the "multilation of the Hermae."
The Hermae now seem like very strange objects, archaic and peculiar. They were usually just a square stone pillar, with the head of Hermes at the top, and otherwise unadornedexcept for the erect genitals of Hermes at the appropriate location on the front of the pillar -- though the penis does not seem entirely erect in the example at right, since the (uncircumcised) foreskin still covers the glans. Today, of course, this would be regarded as funny or obscene. Not the kind of thing we see in public anymore. Indeed, after Christianity swept away this kind of stuff, it was forgotten that such things existed in the Classical world. It was brought back to modern attention when serious excavation began in 1748 at Pompeii, the Roman city buried by ash during the eruption of Mt. Vesuvius in 79 AD. To the embarrassment of the Catholic Bourbon King of the Two Sicilies, obscene objects, and not just the Hermae, began to be found. The auspicious genitals of Hermes had even been carved on people's doorjambs. Much of this material was tucked away in a special warehouse, the "Secret Museum," to which only serious, respectable adult males were allowed entry. Elsewhere in the world, however, the idea of divine genitals being sacred and lucky still survives. Although suppressed for a while out of embarrassment of Western disapproval, such sights are beginning to revive somewhat in Japan, where colossal wooden phalluses can now be seen in religious processions. They are even being promoted as tourist attractions, drawing quite a few more foreign tourists than most other Japanese religious events. In pre-modern Japan, boundary stones in the shape of genitals, both male and female, were common.
The Athenians did not think that the mutilation of the Hermae was funny, or a virtuous suppression of obscenity; they thought it was a shocking and terrifying sacrilege. Hermes was there to protect the city, and if he was offended, then he could withdraw his protection. Nevertheless, no one knew quite what to do about it at the moment. So the expedition left for Sicily. As the days passed, however, suspicion grew that Alcibiades and his friends were just the kind of guys, without much respect for traditional religion, to have done this. It is not hard to imagine what happened. Young men, about to leave for war, get drunk, and in the wee hours decide to go looking for trouble -- like Animal House (1978). Someone gets the bright idea to mess with the familiar statues of Hermes, which they may already think are rather more funny than holy. The next day, they would just as soon forget about it, but it's too late. A warrant was sworn out for Alcibiades and a ship sent to Syracuse. On the way back, however, Alcibiades jumped ship. Flight to avoid prosecution. Desertion. Evidence of guilt in a charge of sacrilege. But then Alcibiades went even further. He went over to the Spartans. He advised them how to defeat the Athenian expedition in Sicily. The Athenian army and fleet were annihilated. Alcibiades was condemned to death in absentia and his property confiscated. When Sparta then reopened the main war with Athens, the "Decelean" or "Ionian" War of 413-404, Alcibiades advised the construction of a fleet to contest the sea with Athens and accompanied the ships to Ionia, which was the scene of much of the subsequent fighting.
Thus, Alcibiades can be credited with sacrilege, desertion, flight to avoid prosecution, and, last but not least, treason. So people would ask, "How did he get to be like that?" And they might remember, "He used to hang out with Socrates. Indeed, they were very friendly, perhaps even lovers." So Socrates, a philosopher, who, as we all know, go around teaching their doctrines, must be responsible. If Alcibiades can be substantially blamed for the loss of the war against Sparta, then Socrates can ultimately be blamed also. So let's get him.
Alcibiades later began trying to play the Athenians, Spartans, and Persians off of each other. He got the Persians involved, ultimately to the benefit of Sparta, but he also helped the Athenians defeat a Spartan fleet in 410. This enabled him to return to Athens, with all forgiven, for a while. Things soured again with a defeat in 407, and Alcibiades again went into exile. Ironically, his place of exile in 405 was right by where the final battle, Aegospotami, was fought between Athens and Sparta. This historic location is the long peninsula along the straits, the ancient Hellespont and modern Dardanelles, that lead from the Aegean Sea into the Sea of Marmara, and so ultimately to Istanbul, the Bosporus, and the Black Sea. The entire peninsula now takes its name from the Greek city of Kallipolis ("Beautiful City"). Part of Turkey today, the Turkish name is "Gelibolu," but elsewhere it is known by its name in Italian, Gallipoli. Such a place has a common Italian name because of the presence in the area of Italians, mainly from Venice, Pisa, and Genoa, during the Middle Ages.The name is best known, however, from the British landing there in 1915, during World War I. Winston Churchill, first Lord of the Admirality at the time, hoped to seize the Straits and knock Turkey out of the war. It was a good idea but a miserable failure in execution, not unlike the Athenian Sicilian expedition. A 1981 movie Gallipoli, by Peter Weir, starring the later super-star Mel Gibson, details the Australian participation in the campaign.
In 405 both the Athenian and Spartan fleets came into the Straits. For some days they simply maneuvered around each other. In the evening, the fleets separated and the ships were drawn up on the beach for the evening. The ships, of course, were rowed -- galleys -- with shallow draft, though with some hundreds of men as a crew. Although 100 some feet long, such ships could be pulled up on the beach by their own crews. Watching this, Alcibiades walked down to the Athenian camp and warned them that the Spartans might attack as the Athenians were getting out of their ships. The Athenians famously told him to take a hike. The next day, sure enough, the Spartans followed the Athenian fleet and attacked as the men were getting out. The Athenian fleet was destroyed. The Spartans sailed directly to Athens, put the city under siege, and starved it into surrender in 404. The war was over.
Alcibiades, like the boy who cried "wolf," was simply no longer someone to believe, even when he was giving good advice. He fled to the Persians and was assassinated, in 404, with the agreement of both Athenians and Spartans.
Originally, someone was born an Athenian citizen if either parent was a native Athenian. However, Pericles married a woman who was not Athenian, and his politically enemies, who could not harm him directly, realized that they could do so indirectly. They passed a law that both parents had to be Athenian citizens for someone to be born an Athenian. It was also retroactive. So Pericles' own children were suddenly no longer Athenians -- though this injustice didn't affect his two sons for long, since they, like their father, died of the plague.Some argue that Athens wasn't really a democracy because women, aliens, and slaves didn't vote. The best response I've heard to that argument was from a fellow student, when I was a Freshman at the University of New Mexico in 1967. She said that Athens was a democracy "because they made up the word and called it that." To the Greeks themselves, the key point was that the poor were included in democratic government -- "every free adult male citizen" did not mean universal suffrage, but it was free of the property qualifications that were long characteristic of British and American democracy. Nevertheless, some people get so confused about this that it is possible to find them saying that Athens was not really a democracy because the poor were not included. Where that comes from is mysterious, especially when Thucydides says in The Peloponnesian War that class war often resulted in Greek cities, with the poor, partisans of Athens, fighting the wealthy partisans of Sparta. This is also the key to many traditional criticisms of both Greek and modern democracies: that when the poor discover that they can vote themselves money, the government will collapse into a war of everyone trying to steal from everyone else.
A much more forthright and thorough treatment of all this is actually given by Xenophon, at Memorabilia II-12-48, where he addresses the case, not only of Alcibiades, but of Critias too, who actually went on to become one of the Thirty Tyrants. "Now, all the time that Critias and Alcibiades associated with Socrates they were out of sympathy with him," says Xenophon (II-39; Loeb trans. p.31). He thinks that they associated with Socrates just for their own ambitious purposes, hoping perhaps to acquire his own facility with argument -- "as soon as they thought themselves superior to their fellow-disciplines they sprang away from Socrates and took to politics" (II-16; Loeb trans. p.19). Interestingly, Xenophon details the vengeful steps that Critias took directly against Socrates under the oligarchy, while in the Apology Socrates never mentions that, even though he does talk about his problems with the Thirty (32c) and could win sympathy with a specific example of their hostility towards him. One suspects that Socrates had is own reasons for not mentioning Alcibiades or Critias by name, as considered below, at 23e.
Socrates could feel guilty about this without really being guilty. It is not uncommon for people to have friends who seem to them to be headed for trouble. It is always a difficult personal dilemma what, if anything, to say to the friend about what they are doing. Frank and forthright advice may be interpreted as hostile or intrusive. The friend may say, "Mind your own business," or "Up yours," and then go away. Or, one may decide to set an example rather than give advice, and hope that the friend will hang around and stay out of trouble that way. If the friend then gets in trouble anyway, the thought, "I should have said something" is hard to avoid, however little a difference saying something might have made. But Socrates is in a more difficult position than most people. If his behavior in the Euthyphro is characteristic, and it is certainly consistent with his "knowing practically nothing" stand of Socratic Ignorance, then the problem is that Socrates does not tell people what to do. All he does is ask questions, and at some point, however obvious the conclusion, the interlocutor has to supply the final answer himself.Socrates, it seems, is not alone in history in this respect. Thomas Jefferson tells us, in a letter to a grandson, on November 24, 1808:
Conviction is the effect of our own dispassionate reasoning, either in solitude, or weighing within ourselves, dispassionately, what we hear from others, standing uncommitted in argument ourselves. It was one of the rules which, above all others, made Doctor Franklin the most amiable of men in society, "never to contradict anybody." If he was urged to announce an opinion, he did rather by asking questions, as if for information, or by suggesting doubts.Socrates, like Franklin on this description, never sets out to impose his opinion. He does not think that his opinions even have the status of being worthy of imposition. But this also puts him at a disadvantage. All he can do to straighten out someone like Alcibiades is ask friendly questions. Now that he is in trouble because of what people like Alcibiades did, he is ill at ease. It is a bit too awkward to explain that he might have given advice by asking his questions, indirectly, but it seems to him later (33b) better just to say that he was never anyone's teacher, never taught them anything, and is not responsible for whatever they did. In the present passage, however, he doesn't seem quite up to facing even that defense. He avoids the issue. Perhaps in bad conscience and feeling guilty, but without any real guilt or responsibility. Just the uneasiness over people he saw go bad, but about whom he could do less than even an ordinary friend might have done.
Xenophon, who often writes (in retrospect) as though Socrates had all sorts of direct advice to give people, nevertheless admits, "To be sure he never professed to teach this; but, by letting his own light shine, he led his disciplines to hope that they through imitation of him would attain to such excellence" (Memorabilia II-3-4; Loeb p.14-15). Socrates never sought anything more than friendship -- "his highest reward would be the gain of a good friend" (II-7; Loeb p.15) -- and no one could expect to be taught by him -- "Socrates indeed never promised any such boon to anyone" (II-8; Loeb p.15) -- except by example and by questioning. What we don't see in Xenophon is the ironic playfulness with which Socrates undertakes to become the "pupil" of someone like Euthyphro. Closer associates, indeed, would be little inclined to put on the airs that Socrates has no difficulty eliciting from him.
Socrates is accused of not believing in the "the gods in whom the city believes" but in hétera daimónia kainá. Now, daimónia kainá is translated as "new spiritual beings" by Harold North Fowler in the Loeb Classical Library edition (Harvard, 1914-1966, p.91), "new spiritual things" by W.H.D. Rouse (Great Dialogues of Plato, Mentor, 1956, p.430), and "new divinities" by G.M.A. Grube (Plato, Five Dialogues, 1981, 1986, p.31). Grube's original translation was thought better of and is now rendered "new spiritual things," like Rouse, in recent editions (p.29), which, however, are not dated, unless the isolated number "95" on the copyright page is evidence of the date (and we are not warned that the translation has been altered). The problem all these translation are dealing with is that there is no noun in the Greek phrase. Kainá is "new"; and daimónia is "of or belonging to a daímôn," where a daímôn is a god, spirit, or even soul -- though this is later the word "demon" used by Christianity. So the literal translation would be that Socrates believes in "other new spiritual." But this is not grammatical in English, as it is in Greek, since English requires a noun, not just adjectives, in that phrase. We do know something from the Greek phrase about what a noun would have to be like, since all three adjectives in the phrase are neuter plurals -- "things." Supplying the noun "divinities" or "beings" implies that what Socrates' teaching is about living things, or actual gods. This adds far too much to what the charge says, and makes Socrates' questions about it sound unmotivated. "Things" is the best noun to supply, a very indefinite, semantically neuter, plural. But it should be remembered that even this is more definite than the original Greek. Socrates is being accused of teaching new something-or-others about divine or spiritual things, without much of a clue about what those would be. No wonder that Socrates is going to ask about it.
The following exchange is the only time that someone besides Socrates speaks in the Apology, and it is the only example we have in this work of Socrates' method of asking questions. Grube's text is not set up like a dialogue, with separate identified lines for each speaker. Meletus' answers are simply set off with a dash.
The "Council" is the boulé, and the "members of the Council" are the bouleutaí. The Council of the Five Hundred was created by the democratic reformer Cleisthenes, with members ultimately chosen by lot from each deme, the thirty smallest divisions of the population of Athens (from dêmos, a district or the people who live in it, or just "the people"). The Council was effectively the day to day government of Athens and determined what laws to propose to the Assembly. The Council itself was divided into ten parts, corresponding to the ten Tribes (Phylaí) of Athens. Each of these ten parts presided for a tenth of the year, and the presiding Councillors were called the Prýtaneis or presidents. Socrates mentions being a Prýtanis below, 32b.
In answering his own question, which he also does elsewhere in Plato's dialogues, especially with other uncooperative subjects (e.g. the Gorgias), Socrates opens himself to the charge that he has opinions about his questions after all, and is not just asking his questions to vindicate the god, on the principle that everyone is ignorant. This bears keeping in mind as a Question about Socrates, but Meletus is too slow to pick up on it here and belabor Socrates with the inconsistency.
This whole line of questioning is going to turn on one of Socrates' pet ideas, namely that No one knowingly does wrong. Although Socrates does occasionally give answers to his own questions, he does not do so in a systematic or complete way, which means he is consistent enough in his Ignorance not to have theories about the good, etc. But in the course of his investigation he does come up with some theories, more about knowledge than about the content of ethics. This is one of the more characteristic ones and seems just as peculiar today as it would have back then, since we tend to think that only the incompetent, children, the insane, or the senile don't know that they are doing wrong when they are doing it. That is what they can be punished for. Here, Socrates wants to get Meletus to apply this principle to him and to admit that Socrates could not have knowingly corrupted the young, that it wouldn't make any sense.Socrates believes that no one knowingly does wrong for at least three reasons:
- If no one is wise, and so everyone is really ignorant of "the human and social kind of excellence," then no one really knows what they are doing, and those who do good are just as ignorant of the real value of their actions as those who do wrong. At Meno 100b, Plato has Socrates conclude that "virtue appears to be present in those of us who may possess it as a gift from the gods" [Grube p.88]. So what anyone thinks they are doing is more or less irrelevant to what they are doing.
- Socrates always takes at face value what it is that people say to him, and it is characteristic for people, even (or especially) the very wicked, to give justifications, excuses, and rationalizations for their actions. Thus, Socrates sees people as doing what they regard as right, because that is the way they talk about it. Of course, he then "examines" whether this is a "sound statement," as he says in the Euthyphro.
- Socrates suspects that the only reason anyone does anything is for a good end (Aristotle later defines the good as whatever it is at which anything aims). This is the point upon which this passage in the Apology turns. We get an actual argument for it at Meno 77c-78b. Socrates reasons that anything bad would contribute to unhappiness, and so only those desiring to be unhappy would want what is bad. Thus, he asks Meno, "Does anyone wish to be miserable and unhappy?" [78a, Grube p.67]. Meno answers no, but, curiously, other answers now seem possible. Today we are familiar with those who seem to enjoy being miserable, like Woody Allen in the movie Annie Hall, originally titled Anhedonia. Since Woody Allen seemed to think that he deserved misery out of guilt, Socrates could always argue that real guilt would merit punishment and so would be a good. Woody Allen thus desired what is good, but was simply mistaken since he was not really guilty of anything (until he married his step-daughter, perhaps). Another modern development, however, is a little different, and that is the prevalence of excuses based on helplessness. Scientific determinism now enables people to say that their actions are out of their own control. This divorces action from judgments of right and wrong altogether, which is probably the point, both for the those whose actions are in question and for the theorists would apparently don't believe that people should be accountable for their actions. Socrates, of course, would be free to express skepticism about this, as in Addiction Is a Choice by Jeffrey A. Schaler [Open Court, 2000]. Schaler's argument is that excuses of helplessness conceal judgments of preference, i.e. that addicts really find their addictions desirable in relation to the alternatives. Socrates might be challenged by the idea that a heroin high is preferable to almost any other goods in life, but he may have already been familiar with drunks who exhibited a similar problem. We have no record of Socrates questioning any alcoholics, but it certainly would have been an interesting encounter.
If no one knowingly does wrong, then, as Socrates say, "if I learn better," he will cease doing wrong. The idea that knowledge of the good would produce goodness is the principle that virtue is knowledge, i.e. to be virtuous, one must acquire the right knowledge, presumably the knowledge of the "human and social kind of excellence." Furthermore, if virtue is knowledge, then presumably it can be taught. In the Protagoras, Socrates argues about this with the great Sophist himself, with, in typical fashion, Socrates arguing against the thesis at the beginning and for it at the end. The Meno begins with the explicit question about whether virtue can be taught (providing an actual argument along the way that no one knowingly desires bad things, 77b-78b). The answer seems to be "ordinarily not," but then it turns out that this is only because everyone is ignorant and because real knowledge must be remembered, not taught -- Plato's theory of Recollection. In the Republic, Plato modifies this with his theory that the right part of the soul, reason, must be dominant both for knowledge to be obtained and for it to have its salutary effect. In the Apology one peculiarity is that, even as Socrates tries to get Meletus to admit that he would not knowingly do wrong, Socrates never concedes to his accusers the benefit of this principle. Jesus may have said, "Father, forgive them; for they know not what they do" (Luke 23:34), but Socrates does not. This kind of inconsistency should make it clear that Socrates is not a systematic thinker. Even his own pet ideas are not applied consistently, and when it comes to his accusers, he is quite happy to appeal to ordinary ideas about intention, responsibility, and blame.This same kind of inconsistency occurs a bit more recently. When "progressive" thought about crime became dominant in the 60's, with a social and psychological determinism that excused violent criminals as helpless victims of society, racism, capitalism, etc., this excuse was nevertheless almost never conceded to those whose crimes were less politically favored, i.e. the deeds of Southern Rednecks, or those who were guilty of no crimes at all except the Marxist offense of being capitalists, i.e. executives of corporations. This double standard persists today, when crimes by politically favored groups may be "understood" as resulting from righteous "anger," while crimes by politically disfavored groups are incomprehensible manifestations of "hate." Socrates would have had a job cut out for him, asking questions about this sort of thing, even though he commits the inconsistency in his own defense.
But a much cleverer Meletus could have answered Socrates' argument. What often happens in life is that the wicked corrupt others in the expectation that the wickedness will never rebound upon them. This may be foolish, and so senseless and impossible to someone like Socrates, but it is a common phenomenon. Thus, in Spike Lee's movie Malcolm X (1992), Malcolm himself, with a perfectly honest job, is corrupted by a Boston gangster and taught the ways of crime. Malcolm, as Socrates would predict, begins chiseling the gangster, raking off some of the profits that he should turn in. The gangster does not just reflect philosophically, "One I have made wicked is now harming me"; he intends to kill Malcolm, who gets away through a bathroom window and escapes to New York.
"The gods in whom the city believes" is a an important phrase. Reading about Greek mythology may give people the impression that there was a unified Greek national religion. Nothing of the sort ever existed. Each Greek city essentially had its own state religion, with its own particular gods. Even gods with the same name in different locations may nevertheless be represented differently. Traditional and archaic cult statues, like the surviving one of the Artemis of Ephesus, laden with breasts or testicles or something, may look very strange compared to the humanistic images produced by later Greek art. The main gods at Athens were Athena, after whom the city was named, and Poseidon, who had a conspicuous temple on the height at Cape Sunion, the tip of the peninsula of Attica. Even the Acropolis, however, had more than one Athena -- Athena Parthenos, "Athena the Virgin," in the Parthenon and another one in the Temple of Athena Nike, "Athena of Victory." In time, some sites, like Olympia and Delphi, gained the reputation as representing Greek religion as a whole, but this was a very incomplete and non-institutional organization.The particularity of the institutions of Greek cities extended to matters that now are taken for granted as universal. Thus, each city had its own calendar and even its own alphabet. All the calendars used lunar months, often with the same names; but which name went with which months, and how extra months were added to reconcile the seasons with the moon, was a local matter and often subject to political controversy. Aristophanes joked that if the gods regulated their lives by the civic calendars, they would often go to bed without their supper. Greek alphabets belonged to two broad families, the "blue," characteristic of Ionia and central Greece, and the "red" alphabets, characteristic of western and northern Greece, and of the Doric fringe of islands through Crete and Rhodes. A feature of the red alphabets is that they used the symbol X to write the letter ksi, while the blue alphabets used the same symbol to write the letter khi. The blue alphabet of Ionia later became the standard Greek alphabet. A red alphabet, however, was the one borrowed to write Etruscan and later Latin. The Greek language itself, of course, was also divided into several dialects. Athens had its own dialect, "Attic" Greek, which was basically Ionic but with some Doric influence. For instance, the Greek word for "day" was êmérê in Ionic, haméra in Doric, and hêméra in Attic. With some modifications, Attic became the basis for the later koiné or "common" Greek used in the Hellenistic period, and in the New Testament.
In 1970 I paid $40 for an Arabic dictionary, when a drachma in 1967 dollars would be more like $3.33. The inexpensive nature of a Greek book is rather surprising when we consider that the printing press was not invented for many centuries, and a book by Anaxagoras means a hand copied manuscript. Perhaps the price was so reasonable because the demand was not so great. There may not have been a mass market for Greek philosophy even in Greece; for, after all, Anaxagoras was driven out of Athens with the same kinds of charges leveled against Socrates (though this was mainly as an indirect political attack on Anaxagoras' friend, the statesman Pericles). He can't have been too popular. Of course, we tend to think of hand copied books as so valuable because literacy was so restricted in Western Europe during the Middle Ages, when copies might be made merely to replace a worn or worm-eaten original, and when such copies would be embellished, "illuminated," with color illustrations or gold leaf. That is not how publishing worked in the Classical world. Few manuscripts from that period survive (mainly from Egypt), but they were produced in a very utilitarian way. A fair number might have been produced for a real, if limited, market, especially during the Roman period. Since literacy was supposed to have been rather high in Athens, we are faced with the fact that pretty much anyone with an interest in "advanced" knowledge in the 5th century would have had access to it.